Personal Development

Downpour

"Wind Turbines at Sunset" © Adrian S Jones, 2009. CC BY-NC-SA 2.0.
Wind Turbines at Sunset” © Adrian S Jones, 2009. CC BY-NC-SA 2.0.
This isn’t working.

I catch myself flipping through ten different open tabs in my browser. Rechecking my email. Picking up my phone and sending text message after text message. Staring out the window, pacing around the office. I get up and do a circle. Grab a snack, refill my ridiculously gigantic water mug, talk to someone for a minute.

I’m firing on all cylinders. But not in the way that’s helpful. I’m not zoomed in, hyper-focused. I’m not tossing around the same problem and working it from all angles. I’m overwhelmed. I’m fumbling. There isn’t a starting point and I don’t even know what finishing would look like.

Hours go by and don’t think I’ve gotten anything done. Don’t feel like I can form a sentence to explain why that is or what it feels like. The crawling skin and pounding head that beg me to crawl under the desk, curl up, and cry.

There is nothing tragic happening here. Overall I’m pretty good. Nothing much to complain about. I sleep hard through the night. But my brain is trying to stretch itself out in every direction. Clawing at the inside of my skull, hoping to find a rough surface to latch itself to.

Traction.

Always looking for traction. I can make the lists. I know the things I want to do, but I have no sense of slow progression. I am a conveyor belt. Want to churn through everything as soon as it is set in front of me. No time for it to dry around the edges. There is urgency everywhere, for everything.

Just get it done. I don’t want to think about it anymore. I don’t know how to just let it sit. Let the pot simmer on the back burner and come back to it. There’s too much I want to spend my time on to offer any of it any room to marinate.

Move.

I like to think I could learn to give myself some leeway. Settle into the idea it’s okay for things to take time. To figure out how to be okay with things sitting. Undone. To let them be without letting them unravel me.

Personal Development

Milkshakes

"Paper Tree Imitates Real Tree" © Theen Moy, 2014. CC BY-NC-SA 2.0.
Paper Tree Imitates Real Tree” © Theen Moy, 2014. CC BY-NC-SA 2.0.

My yoga teacher gives instruction as if he is reciting poetry. He plays music and falls into rhythm with it, his voice adjusts in volume with the intensity of the pose. As we exhale into position, he gets louder. Brings the lights up a little bit, mimics the sunrise happening through the windows. The practice he guides us through feels like a steady drop of water on my spine. Slow and with purpose it etches away the previous day. The night of tossing and turning.

I make it a point to talk to him. To the other people in my class. While we change from our stretchy clothes into our work attire in the bathroom I strike up conversation. Make eye contact. We don’t need to bond or learn names. I just need to know that I’m noticed so I can remind myself if I don’t show up someone will feel my absence. Keep creating new places you matter. That’s the trick. That’s all it is.

When I was a teenager my idea of “sneaking out” was leaving a note for my parents on my desk and exiting through the front door. There were no tiptoes, just gentle motions to avoid waking those already asleep. A respect for their rest more than an intent of secrecy. If anyone went in to check on me they’d find something like:

George is having a bad night.
Went out for food.
Back soon. Love you!
—Ruby (1 AM)

on a Post-it® note. But I don’t know if anyone ever did. No one ever said.

It soon felt like I could float in and out of my home unnoticed. A gradual shift in temperature or humidity. Barely detectable among everything else that was happening under that roof. I found different places to matter.

George had driven up from Salem on accident. Another soul who understands that when nothing makes sense you pick a direction on Interstate 5 and you just go. We talked on the phone for most of the drive. When he finally said, “Okay, I’m here,” I had my coat and shoes on before he could add, “Come out.”

He didn’t pull into the driveway. I walked out into the quiet, country road night and folded myself into the passenger’s seat of his Toyota Tercel. We drove another thirty minutes north to the set of diner’s open twenty-four hours. The age-old debate between Denny’s and Shari’s ensued and we settled on the place with the better shakes.

Chocolate for me. Strawberry-banana for him. I likely ordered stuffed hash-browns (no bacon) and he definitely got a veggie omelette. We talked about music, about school, about relationships. We did not touch on how hard existing is. Sometimes you just need someone to sit at a table with. To notice you’re present. To witness your heart still beating hard in your chest.

Autobiography

On the Line

"on a spring afternoon" © Hideki Okuno, 2009. CC BY-NC-ND 2.0.
on a spring afternoon” © Hideki Okuno, 2009. CC BY-NC-ND 2.0.

The sun slices through our apartment. Spotlights stacks of books, boxes of pastels, notebooks full of data. It climbs over the back of the couch and dances across the TV while we watch The Sopranos. Fourth season. I get up and draw the blinds.

Summer of 2010 I was sitting at the bar of a strip club in Portland. The only way I knew it was mid-afternoon was because I kept checking my phone, hoping someone would call, text. Ask to get me out of here. I was talking to a dancer before she went up on stage. A military wife looking to make some extra money to get by while her husband served in Iraq. “Plus, it’s nice to have people look at me. It makes it so much less lonely.”

The guys I was with bought us each a shot of bourbon, she rubbed my buzzed head, and kissed me on the cheek. Winked over my shoulder at my companions, talked a moment to the DJ, and disappeared behind the curtain.

Someone mumbled an introduction over the speakers. A name like Crystal or Kandi. There were two guys sitting at the rack. They both pulled out another stack of ones and slapped their hands together in a half-hearted fashion. The bartender and the three people in my crew clapped a few times before we all reached back for our drinks in unison. I don’t think there was anyone else in the whole place.

Neil Young’s “Heart of Gold” started playing and Crystal-Kandi walked out. Eight inch platform heels traced the stage in a slow and deliberate saunter. Shoulders back, hip sway exaggerated. She grabbed on to the pole and started swinging. We all only half paid attention. Focused on our drinking and discussion of our favorite Neil Young albums. Argued over the track lists of “Harvest” and “Harvest Moon“.

When we moved our eyes back toward the stage CK’s top was on the ground and she was hanging from the crook of one knee. Arms stretched out over her head, reaching. A delivery man opened the side door and drenched the entire stage in sunlight. You could see CK’s breath catch in her chest, eyes widening like a terrified wild animal.

The safety of the dark red strip club light had evaporated. A girl who had been only naked was now completely exposed. Her skin no longer like velvet, lacking any imperfection. Freckles, wrinkles, humanity all visible. She froze. The men at the rack squinted and leaned back in their chairs. The DJ yelled, one part anger and two parts nervous laughter, “Shut that goddamn door, dude!”

It’s February and the sun has been coming out the last few days. I keep expecting to feel basked in warmth and light. The promises of spring tickling my skin with hope as I loosen the scarf around my neck. But there is something bitter in its sweetness. An old friend returning to find me sitting in the same place. Hiding behind the same piles of to-dos, the same bad habits, still struggling with the same routines.

“I’m glad to see you, dear. I just thought I would be different the next time you came around.”

I pull the blinds and sink back into the soft red fabric of the couch. Hoping I can put off the exposure just a little longer. Maybe there’s still time to figure this one out.